Kazuko Shiihashi
Kazuko Shiihashi is a Tokyo-based artist whose work bridges traditional Japanese craft and contemporary fine art. After years spent designing kimonos using the Yuzen dyeing technique, she discovered natural pigments and the materials integral to traditional Japanese painting.
Kazuko works with handmade Japanese paper, which she crushes, gilds, and paints before mounting it onto wood panels. These panels, when assembled into large compositions spanning up to three meters, reveal a textured and luminous quality. Her use of natural mineral pigments lends her works a jewel-like radiance. Through her practice, Kazuko celebrates the enduring beauty of natural materials and techniques.
Painting materials.
Japanese paper and mineral pigments are gifts from the natural world.
Iwa-enogu is a crushed natural stone. Some of the colors obtained are Malachite (kujakuishi), Azulite (randoukou) Lapis Lazuli (ruri), Cinnabar (shinshakou) and Jasper (kihekigyoku) etc. Iwa-enogu can be mixed into more than a thousand colors.
Gold and silver leaf are often used as well especially for giving the moon a true to life color.
Iwa-enogu is made by using your fingers to mix the paint (powder form) with a type of glue until the mixture liquefies and produces the desired color.
Using washi, Japanese Paper
Washi is a traditional material with 1400 years of history. The secret of washi's strength lies in the length of the fibers it is made with.
It's resistance to tearing, flexibility and resistance to water are the characteristics derived from the length of the fibers. Washi can last for more than 1000 years.
Washi has many uses such as shoji screens, lanterns, lampshades, for paintings, and crafts like Origami.
It's resistance to water also makes it ideal for umbrellas or raincoats. There are different types of Washi;
Kozo (made from Mulberry tree bark), Mitsumata and Gampi (both made from Cypress tree bark) The process of completing the art works.